A movie in review deux
Hollywoodland, as you may remember from my previous entries, concerns itself with the mysterious suicide/murder in 1959 of George Reeves, best known for his portrayal of the title role in the TV series, The Adventures of Superman®.
Adrien Brody stars as Louis Simo, a private detective who lives and works out of a cheap motel while trying to make ends meet and help his ex-wife raise their son. Simo ends up doing an investigation of Reeves’ mysterious death, but only because the case is thrown in his general direction by other private detectives who have no interest in the case. He is initially hired by Reeves’ mother, who seems unwilling to accept the suicide verdict that was given the case before its’ closing.
Reeves’ own story is told in flashbacks throughout the movie. Ben Affleck plays Reeves, and while he did manage to look convincingly like Reeves in a couple of scenes, he just didn’t quite pull it off, in my opinion. Affleck was obviously trying to give Reeves a sophisticated voice and manner, but came off at times sounding as though he were doing a half-hearted British accent. I haven’t really read or seen anything to indicate what George Reeves was like in his offscreen life, but if Affleck’s portrayal is to be believed, Reeves wasn’t really a sympathetic person. He is portrayed here as a heavy drinker who seemed to wallow in self-pity over his perception of a lackluster career.
Bob Hoskins and Diane Lane appear as Eddie and Toni Mannix, the former a studio mogul, and the latter as his wife. Toni meets Reeves at a party, and immediately begins an affair with him. This leads to both becoming suspects in Reeves’ murder.
Robin Tunney plays Leonore Lemmon, a girl Reeves meets in New York and brings back to California, promising to marry her. When he ultimately changes his mind about the marriage, this provides enough motive for her to become a suspect in Simo’s eyes as well.
All in all, the entire cast gives good, solid performances in their respective roles. The cinematography is excellent as well. However, much like The Black Dahlia, nobody really comes across as a sympathetic character. There’s nobody to root for, and nobody with whom to identify. Also, there are some scenes that seem to take too long, and not really add anything to the plot. There is a brief scene with a drunk Simo confronting his son at school, which ends up being resolved at the end of the movie. Neither scene did anything for me, to be honest.
The movie never resolves anything about the death of Reeves. Simo develops three plausible theories about how it happened, but none of them are proven in any way. This is also a movie that doesn’t really have a clear ending; it just comes to a grudging stop right before the credits roll.
I gave Dahlia 3 ½ stars out of 5. Hollywoodland I can only give 3. It’s a good enough movie, but I can’t quite recommend seeing it in the theater.



